FreqDELAY Crack Download (2022)
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4 bands of delay / mix-offset for each input. 4 voltage controlled filters per band to shape the delay output. The feedback loops may be routed to other effects of the plugin.
Every input may have individual (drifty, dissolutive, time dependent) modulation of LFO, thus giving 4 different LFO shapes.
Nearest possible multiple relationship between delay times may be created. 1.8 sec delay time is 6 Hz i.e. 6 Hz delayed 6 Hz. The relationship may be altered through the frequency from 2 Hz to 16 Hz.
Frequency offset is added to each delay input. The amount is calculated at runtime based on the selected filters which currently are all lowpass.
The voltage gain of the current input and filter is stored, so that the next frequency can be calculated in the next delay state.
Positive feedback may be applied to both filter and delay inputs.
freqDELAY Cracked Version features
- 4 bands per signal input
- 4 bands per output
- 4 frequency offsets per band
- 2 time relationships, not limited to 4, but also fixed delays
- 2 lowpass filter shapes (1st order Butterworth, 1st order Chebyshev, 2nd order Butterworth, 2nd order Chebyshev)
- 2 LFO modes (drifty, dissolutive)
- 1 LFO with time dependency
- 1 LFO with multiples (1 to 48)
- 1 LFO with offset (5, 10, 20, 30, 40, 50 Hz)
- 1 LFO phase change between 0 to 360°
- 4 filters, 1 per band
- 4 feedback to filters, hard limit to 1/3 of audio to prevent self feedback loop
- mix
- selectable wet/dry balance
- variable/fixed delays (3, 6, 9, 15, 20, 30, 60 seconds)
- 4 modes of resonance of effect (lowpass, bandpass, highpass, s-shapers)
- 4 modes of resonance of delay (lowpass, bandpass, highpass, s-shapers)
- clean cutoff of effects (via frequency)
- round/linear crossfeed of effect delay to input delay
- All delay times may be smoothed based on the delay time & feedback of each band
- All bandpass filters may be "folded" to a lowpass filter shape (see manual)
- All lowpass filters may be
FreqDELAY Crack + PC/Windows
4 bands of delay using a dual ladder topology. Each band uses a parallel resonant filter followed by a crossover to another ladder topology, which forms the master delay loop.
Dual Ladder Topology:
The dual ladder topology uses two sets of circuits which act like two series linked analog delay lines. The filtering circuits are a combination of two parallel resonant passive filters. In this way, the real and imaginary parts of the transfer function are also (almost) preserved.
Delay Time:
Delay time can be set anywhere from milliseconds to seconds.
Delay Time (from audio input) :
• 1sec: Use whole audio input.
Delay Time (from mixer output):
• 0.9ms: Delay audio output back to mixer.
Level:
• -99.9dB : 0db
• -70.9dB: 1db
• -0.9dB: 10db
• 0.9dB: 20db
FreqDelay Speed:
• 0-8192Hz: 100% speed.
• 8192-16384Hz: 80% speed.
• 16384-32768Hz: 50% speed.
• 32768Hz: Slow speed.
Resonance:
• 0.06-1.04: 50% Resonance.
• 1.04-2.08: 70% Resonance.
• 2.08-5.12: 90% Resonance.
• 5.12+: 100% Resonance.
Feedback:
• -90.0dB: No feedback.
• -60.0dB: 50% feedback.
• -30.0dB: 100% feedback.
Mix Ratio:
• 0: The dry signal is routed to the master delay loop.
• 1: Mixer output routed to master delay loop.
• 2: 1:1 mix.
• 3: 1:1 mix.
• 4: 1:2 mix.
• 5: 1:4 mix.
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