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2007 studio album UlverShadows of the SunUlver studio album Released October 1, 2007 (2007-10-01)RecordedAmbassades, Oslo, Norway 2006-2007GenreAmbientElectronicModernClassicalExperimental1Length39The UlChProduc Je2007The UlChProducLabel 2007:58 Shadows Shadows of the Sun) Wars of the Roses (2011) alternative cover vinyl release. Shadows of the Sun is the seventh studio album by Norwegian experimental electronic band Ulver. The album was produced by Ulver and released on Jester Records and The End Records in October 2007. Officially announced on July 13, 20072, Shadows of the Sun received critical acclaim upon release45 and was described as gloomy and tragic with soothing electronics and natural percussion. The album features contributions from Pamelia Kurstin on theremin, Mathias Eick on trumpet and Austrian white noise musician Christian Fennesz, who adds electronics (described as extra sparkle) and helps Ulver align her vision for the final product. The track listing and album art were revealed in a press release from Ulvers US record label The End Records 3 and a teaser for the song Vigil was posted on MySpace on August 29, 2007. 6 7 On August 30, Ulver announced the albums launch party, which will be held on September 20, 2007 at Europa Night Club in Brooklyn, New York with DJs Kristoffer Rygg and Tore Ylwizaker during The Austerity Program and Lapdog of Satan played live. On September 13, 2007, Jester Records made the album available for pre-order, including a limited edition vinyl featuring alternative artwork by David DAndrea. The collectors offer also included a red 10 vinyl edition of A Quick Fix of Melancholy. The End Records also released a special offer consisting of a CD edition of the album, a t-shirt and a limited edition screen print by Tomi Lahdessmaki of 200. cit The release of Shadows of the Sun has been delayedand the US 10 11, possibly due to problems with vinyl production. 12 The album was distributed by Plastic Head, the tenth largest British distributor in Europe. The entire album was leaked to the Internet on September 17, 2007. Solitude is a Black Sabbath cover; the original version appears on their 1971 album Master of Reality and Eos is a reworked version of Gravferd from the Norwegian film Uno soundtrack. What happened? contains approximately 1 minute and 40 seconds of silence at the end. The cover photo is taken from the October 1978 issue of Natural History Magazine. 15 Shadows of the Sun is the first album not to feature Howard Jorgensen, a regular guest on Ulvers first four albums and a guest on the last two. In February 2008, the album won the Oslo Awards for Album of the Year 2007. The album was also named Best Album of 2007 by the Sonic Frontiers website. In December 2014, Shadows of the Sun was released as a sheet music album by Raven Music Editions. All songs except the Black Sabbath cover Solitude were included in the songbook. Background In an interview with Norways music information center, Ulver member Tore Ylvizaker commented on the album. He said it would be unobtrusive and inspired by chamber music both in style and in the band. Ylvisacker also took a year off to study classical composers and compositional techniques, saying he particularly enjoyed Igor Stravinskys The Firebird. Rigg described Shadows of the Sun as our most personal album to date. Commenting in Unrestrained magazine in 2007, Rigg said, I was diagnosed with depression and should have focused on life, but instead I sank into some solitary, dark and paranoid place. It certainly helped make the album what it is, but its a prison for the mind. He added: Sometimes I see only darkness; its overwhelming. So this record is a lot about liberation.darkness, but it also symbolizes a kind of calm acceptance. This is the situation and you will have to live with it. Use it for its intended purpose. 21 Commenting on the development of the album, Rigg said, I was determined to make it more sober this time. When we were making Blood Inside, we stayed away from all that minimalist stuff for so long - the soundtracks (Lyckantropen Themes and Svidd neger), the Silence EP and all that. So Blood Inside was kind of a blast. I think this record is a departure again, so it has a dynamic... an ebb and flow. , so its always good for us to bring someone in and play an original. I think strings and piano are our favorite instruments; those are the sounds , which we like to work with. Do you know that tone? When it comes to writing music, its not that we write music per se, but lets say we write music, we write it for strings and piano, making them play along with for preliminary ideas or themes. We can record hours of music and end up using one minute. But this time we had the lyrics before the string quartet, and we wrote the part for them. It was a little more disciplined than before. 21 Riggs commented to Unrestraint magazine: The first track, Eos, is the highlight we did for the funeral theme in Uno. It allows you to use the same source material in different contexts. If youre in a different time, place and mood, you can take things that didnt work in the first place and make something new out of them. So yeah, we keep everything, but a lot of music and ideas are backed up these days. Id estimate that 10 percent of what we start is something presentable. We feel that many things are.

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