People Eater - Soundtrack
"EVERYBODY EATS!" is an interactive fiction experience. You play as Jennifer, an FBI agent and the world’s best "People Eaters" as she goes to her office to catch a mysterious criminal who is on a mission to assassinate the President. You must uncover the conspiracies, solve the puzzles, and stop the killer before he does damage.
Key Features:
- Interior Visuals: Every room is unique, a tribute to the original 1987 film. Interact with the environment and uncover clues as you work on the case.
- Real-Time Combat: Shoot and dodge the game’s many enemies. Make use of a wide range of weapons to help you escape or fight.
- Dialogue System: Unlike text adventures, every conversation you have with other characters will be spoken by a character. And every answer you give is a decision that will have consequences.
- Over 200 Puzzles: From classic text adventure puzzles to everyday situations, over 200 puzzles. Solve the puzzles and head down the path to finding the murderer and ending the killer’s reign of terror.
- Interactive Music: A total of nine epic original songs from the 1990s and 2000s to score your adventure.
- Hidden Items: Hundreds of items to discover and view. The puzzles and mysteries are only part of this experience.
- Game Over: Feel the rush of the president’s death as it really is... a real death!
Game Description
EVERYBODY EATS! is a real-time interactive story inspired by the original 1987 film. You play as Jennifer, an FBI agent and the world’s best "People Eaters" as you work on the case. The interactive narrative will have you solving puzzles, interacting with characters, and following clues to unravel the story. Solve the puzzles and head down the path to finding the murderer and ending the killer’s reign of terror.
Key Features:
- Interior Visuals: Every room is unique, a tribute to the original 1987 film. Interact with the environment and uncover clues as you work on the case.
- Over 200 Puzzles: From classic text adventure puzzles to everyday situations, over 200 puzzles. Solve the puzzles and head down the path to finding the murderer and ending the killer’s reign of terror.
- You Make the Choices: Every decision will have consequences. Even the smallest action can change the future. And each answer you give will have an effect on the
People Eater is a fast-paced top-down shooter with the style and substance of a classic Rogue-Like.
The game revolves around a simple premise. A group of scientists at a
government-run fortress have contaminated a high-tech facility with a
noxious fungus, forcing you and your team to annihilate every human life in
an effort to contain the virus. The virus infects the victims as it
progresses through each level, and as the infection progresses, each person
feels more and more compelled to feed upon the increasing number of
people. If you manage to complete a stage without eating someone, you win a
tremendous amount of money. If you don't, you lose money. Your team can
assist you by shooting people, but the course of the game is defined by your
actions alone. As you proceed through the levels, you must decide the
proper method of eliminating the infected. How many people can you eat in
the time allotted before the game is over?
The original soundtrack contains two tracks not in the main game. The
music for the main game is composed by Joakim Sandberg. The sound effects
are by André Giordano, who also did the sound effects for the game. The
original soundtrack, which is similar to the game but is not identical to
the game, can be bought from Joakim's homepage:
www.joakim.com/
- Soundtrack Information:
Recorded from the project's public domain sources; aged mostly from 1999 and
also includes a few tracks made later for remastered PC ports. Originally
composed by Joakim Sandberg.
Track 01, Soundtrack (no name) - piano and synth, instruments: piano,
electronic whirr
Track 02, Containment (Part 1) - synth, instruments: synth, violin,
mandolin, mandolin, piano, electronic whirr, bass, acoustic guitar, drum
kit, slow rhythm and faster rhythm
Track 03, Containment (Part 2) - synth, instruments: violin, mandolin,
mandolin, electronic whirr, piano, slow rhythm, fast rhythm, guitar
Track 04, Incarceration (the big one) - piano and synth, instruments:
acoustic guitar, drum kit, electronic whirr, synth, violin, mandolin,
mandolin
Track 05, Incarceration (the effect) - synth
d41b202975
Gameplay:The game is played in interactive 3D environments.Players are given objectives: there will be other NPCs and therefore objectives for them to accomplish.Objectives are presented in a simple way: there will be the objective, there will be a verb and an optional thing to do.Objectives should be self-explanatory: for example, if you have a NPC that needs to be introduced to the game, it's a good idea to give them an objective that will introduce them to the game, which could be "Make friends with the player" or something like that.If you need to make a NPC suffer or manipulate them into doing something, give them an objective that will cause the NPCs to behave in a way that will make the player suffer, whether that is by flooding the player with NPCs or escaping from the player or whatever.Fistfights are also included in the game.Objectives are presented in a simple way to avoid player-unfriendly objective creep.A verb is required for the objective: this is the action the player can do to fulfil the objective.The verb is in brackets and the optional thing can be in lowercase letters.Please note that if you make the optional thing something that is not something that you want the player to perform, you shouldn't mention the optional thing as it is just for optional work (except for tutorials). If there is no a verb for the objective, you can give a verb for the optional thing.The optional thing is optional.The optional thing is optional and affects the amount of work for the player to achieve that objective, or it may even make the NPC do more than the required amount of work.So, for example: a NPC cannot leave the game and a player needs to "brainwash" the NPC.If the optional thing gives the player a minor task, the amount of work required should be minor.If the optional thing gives the player a major task, the amount of work required should be major. If the optional thing gives the player a very minor task, then the amount of work required should be very minor.If the optional thing gives the player a very major task, then the amount of work required should be major.If a verb for the optional thing is a verb of a major task, the optional thing should be a major task.If a verb for the optional thing is a verb of a minor task, the optional thing should be a minor task.If the optional thing is a verb of an activity that can only be performed by the player, then

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