Published on July 12 after the film’s premiere at the Cannes Film Festival. Is it a surprise that the press notes for Wes Anderson’s The French Dispatch come in an immaculate pamphlet designed to look like a New Yorker-style magazine put together by a motley group of expatriates living in Paris? Is it a shock that Anderson’s new movie, which stars Bill Murray and Owen Wilson and Saoirse Ronan and Adrien Brody and Edward Norton and Jason Schwartzman and darn near everyone else who’s ever been in a Wes Anderson movie, is very, very, very Wes Andersonny? You wouldn’t expect anything less from The French Dispatch, which opened in the Main Competition section of the Cannes Film Festival on Monday. It had originally been selected for the 2020 Cannes lineup – but when that year’s festival was canceled, Searchlight decided not to open it in the fall, as had originally been planned, but to wait a full year so that it could premiere where it would have premiered 14 months ago if not for a global.
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The world of Wes Anderson, after all, things stay the same. The French Dispatch is proof of that: In some ways, this episodic anthology is the ultimate Anderson movie because it’s everything he does, whipped up into five jewel-box episodes without the need to make anything conform to a larger story. It’s an Anderson Sampler Pack, each candied treat more elaborately wrapped and intricately decorated than the last. It’s fun and it’s impossibly stylish and it’s absolutely exhausting, and it might make you start musing about the law of diminishing returns. But boy, it sure looks pretty. The film, Anderson has said, was born out of the desire to pay tribute to the New Yorker, but the French Dispatch – a magazine, we are told, started by expatriate journalist Arthur Howitzer Jr. (Murray) – is far cuter and more precious than its Manhattan inspiration. It also purports to be an offshoot of the Liberty, Kansas Evening Sun, albeit one based in the picturesque and staggeringly quirky French town of Ennui-sur-Blasé.
The film’s episodes are labeled by magazine sections: There’s a Local Color story featuring Wilson as a bicycling reporter; an Arts & Artists sequence in which Benicio del Toro plays a convicted murderer who also happens to be a genius painter; a Politics & Poetry tale of an improbable romance between a young firebrand (Timothee Chalamet) and a seasoned reporter (Frances McDormand) set against a backdrop of student protests; a Tastes & Smells section in which Jeffrey Wright tells of a kidnapping gone awry, with appearances by Ronan and Mathieu Amalric and an animated chase sequence; and a lovely end note under the Declines and Death header. For those keeping score at home, the cast, in addition to the folks already mentioned, also includes Tilda Swinton, Stephen Park, Bob Balaban, Willem Dafoe, Cecile de France, Angelica Huston, Elisabeth Moss, Tony Revolori, Liev Schreiber, Christoph Waltz and Henry Winkler. Watching others.
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