They Never Asked: Senryu Poetry from the WWII Portland Assembly Center by Shelley Baker-Gard, Michael Freiling, Satsuki Takikawa, Duane Watari, Shelley Baker-Gard, Michael Freiling, Satsuki Takikawa, Duane Watari

They Never Asked: Senryu Poetry from the WWII Portland Assembly Center
Shelley Baker-Gard, Michael Freiling, Satsuki Takikawa, Duane Watari, Shelley Baker-Gard, Michael Freiling, Satsuki Takikawa, Duane Watari
Page: 200
Format: pdf, ePub, mobi, fb2
ISBN: 9780870712357
Publisher: Oregon State University Press
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Overview

In 1942, after Executive Order 9066 was issued, Japanese American families were removed from their homes in Oregon and the Yakima Valley and sent to the Portland International Livestock Exposition Center, where they were housed in converted animal stalls. The Wartime Civil Control Administration forcibly held these Japanese Americans at the Portland Assembly Center until September 1942, when they were transferred to newly built permanent incarceration camps at Minidoka, Heart Mountain, and Tule Lake.
 The Japanese American communities in Oregon and southern Washington were relatively small and many of the detainees knew each other; they drew on existing family and community networks to help each other through the long summer, living in inhumane conditions under the constant threat of violence. Several members of Bara Ginsha, a Portland poetry group, decided to continue their work while imprisoned at the center, primarily by writing senryū, a type of Japanese poetry related to haiku. They Never Asked is a collection of work produced by Bara Ginsha members in the WCCA camp, based on a journal kept by Masaki Kinoshita. The senryū collected here were written by a group of twenty-two poets, who produced hundreds of poems. Individually, the poems reflect the thoughts and feelings the authors experienced while being detained in the center; collectively, they reflect the resilience and resistance of a community denied freedom. Editors Shelley Baker-Gard, Michael Freiling, and Satsuki Takikawa present translations of the poems alongside the originals, supplemented by historical and literary context and a foreword by Duane Watari, Masaki Kinoshita’s grandson.

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